Arrafi music Indonesia - An Overview
Arrafi music Indonesia - An Overview
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Musik ini mulai masuk ke Indonesia tepatnya di Malaka. Walaupun masa jaya Portugis mulai melemah di Indonesia, musik ini tidak lantas hilang begitu saja. Para budak di Maluku kala itu mulai menyerap musik tersebut dan memainkannya di daerah mereka.
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Salah satu rekan terdekat mengatakan bahwa musik Keroncong adalah musik daerah yang tentu saja mewakili hanya sebagian daerah saja, dan hal tersebut yang membuat tidak semua rakyat Indonesia tidak tahu dan ‘mungkin’ tidak perlu tahu apa itu musik Keroncong.
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the ability of monetary funds, the superiority of technology, plus the sophistication of promoting ground down classic music. This paper attempts to investigate the “keroncong” music in Indonesia that could even now be taken care of or popularized by several methods and by creating a correct media of promotion including by means of television and radio to ensure Modern society are common to “keroncong” music.
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precisely the same effort and hard work was finished by Didi Kempot and Koko Thole that has supplied new colour to “keroncong” music. They built endeavours to distribute “keroncong” music to a wide array of society as well as develop the music itself.
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Selain adaptasi dari musik Fado yang dibawa bangsa Portugis di abad ke-sixteen, musik Keroncong sendiri baru secara resmi dikenal di Indonesia pada tahun 1880. Perubahan yang terjadi dari pertama kali musik Fado masuk ke Indonesia adalah nada-nada yang digunakan.
Ada beberapa nama besar musisi Indonesia yang memilih Keroncong sebagai musik utama mereka, atau pun sebagai salah satu jenis musik yang mereka gunakan.
Salah satu alasannya adalah karena alat musik yang digunakannya adalah alat musik yang kental kaitannya dengan budaya Indonesia, seperti rebab, suling bambu dan juga established gamelan.
Therefore, “keroncong” artists should make innovations or changes that can attract persons’s desire to “keroncong” music. they must make track lyrics that reflec the life of society or take themes that is in accordance to their period of time.
Pada masa itu, para pegiat musik Fado harus menyanyikan lagu-lagu mereka di dalam Gereja Protestan dan secara tidak langsung nada yang biasa mereka gunakan pun berubah menjadi mayor.
Akar dari Keroncong ternyata sudah masuk ke Indonesia abad ke-16 dan dibawa oleh para pelaut dan budak kapal dari Portugis.
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